NESHAN, The Iranian Graphic Design Magazine

Member of International Council of Design ico-D

English | فارسی

Neshan 25

Face to Face-2

Paula Scher, Painting Maps; An interview by Majid Abbasi;

Majid Abbasi

Where does the idea of these painting maps come from?
My father was a mapmaker, a photo- grammetric engineer, an expert in aerial photography.  He invented a device that corrected the distortion of aerial photography called “stereo templates”. He taught me there were no accurate maps; they are all distorted.

Please explain briefly the process of creating the maps.
I unroll a giant piece of canvas and tack it on to the wall in my studio.  I rough out the geographic areas by eye on the canvas and then begin to add information which creates a sense of complication and the canvas becomes crowded with relevant and irrelevant data.

How many are they? How long have you been working on them? To what extent are you going to continue?
There are 25 large scale (around, say 9’x9’) paintings. I began painting them in 1999.

What techniques have you used to create maps?
I have painted them as acrylic on canvas, silkscreen prints, and mixed media drawings.

There is a big difference between Paula Scher as a designer and as an artist. Am I right?
No, I am the same person.The process is different. Design has a purpose, art has no purpose.There is an economic structural difference.Design is commissioned; art is made on its own.

Information should have a significant role in your works. Is it true?
My paintings are mostly about information overload, information that has feeling. Feeling is what I meant to write.I mean that the information in impressionistic.

What roles have color, form and type to create a map … for example, India and Africa?
I paint places based on my knowledge and feeling about them.Sometimes my view is prejudiced.For example, India is pink because the fashion leader Diana Vreeland (at Vogue) once said that “Pink is the navy blue of India.” 

In some cases we can see shape of maps of some countries has been changed, especially in the World’s map. Why?
I look at maps to make the paintings and my eye distorts everything, just like the camera lens. My lens distortion is based on ignorance and prejudice.

Do you mean you paint the map using your imagination rather than a real map?
Not really, I just don’t do a careful job about trying to be accurate.

Did you redraw a special typeface in maps?
I paint the typography by hand; it is deliberately crude.

Majid Abbasi

is design director of Studio Abbasi active in the international community, based in Tehran and Toronto. He leads a variety of design projects for start-ups, non-profits and educational organizations worldwide. Majid actively contributes to the international design scene as an instructor, jury member, curator and writer. He has been editor-in-chief of Neshan, the leading Iranian graphic design magazine since 2010. Majid has been members of Iranian Graphic Designers Society (IGDS) since 1998 and Alliance Graphique Internationale (AGI) since 2009. majidabbasi1@gmail.com

Handmade: Immortality of Poetry and Thought

Ebrahim Haghighi

> more

Opinion

The Manual Process of Design

Michael Renner

> more

Iranian Contemporary Design

Less is More; A glance at Saed Mashki's Works

Farshid Mesghali

> more

Project

The Collective Design for Azad Art Gallery

Aria Kasaei

> more

Design Today-1

Antoine and Manuel: Decoration and Beauty

Vanina Pinter

> more

Design Today- 2

Every day a drawing; A review on Paula Troxler's works

Kambiz Shafei

> more

Face to Face-1

Yuri Gulitov, Russian Preludes

Majid Abbasi

> more

Reference

My Mentor: Brad Holland

Steven Heller

> more

Different

Ordigami, or How I learnt to fold information!

Pouya Ahmadi

> more