NESHAN, The Iranian Graphic Design Magazine

Member of International Council of Design ico-D

English | فارسی

Neshan 25

Face to Face-1

Yuri Gulitov, Russian Preludes

Majid Abbasi

Please tell me about your inclination for handmade works.
It’s the most emotional way of expressing my thoughts. For me it’s extremely important for work to convey an emotional message first and all other information after that.

Can this inclination be considered a type of Russian design specific tradition or a kind of new Constructivism?
I am interested in both so I often combine them in my works. 

What about the free forms and handmade type design?
It is challenging for me to work with letter construction. I often draw types by hand or use free forms for construction of symbols. I ask students to draw signs by hand, using different techniques, unusual materials and instruments. For instance, as a module for letter construction we may use stones or some other natural forms. I interpret type not only as a way of information transfer, but also as organized matter on its own. 

To what extent are the results of your research applicable to type and calligraphy?
I’ve been dealing with research in the area of street amateur graphic art for over 20 years. In particular I am interested in how the speed of letter writing influences their form and construction, or how the motives of street typography may enhance the meaning of flexibility in modern types. All these themes are constantly used in my works. 

What is the difference between Cyrillic type design and Latin one?
Latin is constructive and logical. Cyrillic is unpredictable and picturesque; depiction is more important here. Cyrillic doesn’t have an orderly architectural basis as Latin does. But instead, Cyrillic is unexpected and spontaneous, this allows you to improvise and take freedom with type signs on grapheme level. 

How do you combine Russian tradition and folk art with modern aspects?
National traditions are vividly seen in amateur type graphic, street graffiti, and handmade sign boards. I’m interested in how people interpret types in their own way, infringing the laws of harmony. This is a generous material and it can be used in modern graphic design. 

What is the frontier between art and design in your works?
To my mind, design is a form of modern art. Synthesis and blending of concepts are very important to me. This creates a greater effect. 

Why are your works mostly handmade creations?
I often express my ideas in the form of handmade typography because it’s more picturesque and emotional. In drawing by hand accuracy and freedom are combined. 

What is the role of multi-layer in your works?
I really enjoy using layering in my works. At the same time I try to create relatively independent layers. The most important element is air which emerges between the layers and adds additional meanings to the work. 

Teaching or designing, which one is more important to you?
Both are equally important. Pedagogy is a field for experiments. Interesting ideas can be converted into educational tasks and at the same time, my design experience is vital for my teaching work. Those two occupations of mine are connected.

Majid Abbasi

is design director of Studio Abbasi active in the international community, based in Tehran and Toronto. He leads a variety of design projects for start-ups, non-profits and educational organizations worldwide. Majid actively contributes to the international design scene as an instructor, jury member, curator and writer. He has been editor-in-chief of Neshan, the leading Iranian graphic design magazine since 2010. Majid has been members of Iranian Graphic Designers Society (IGDS) since 1998 and Alliance Graphique Internationale (AGI) since 2009. majidabbasi1@gmail.com

Handmade: Immortality of Poetry and Thought

Ebrahim Haghighi

> more

Opinion

The Manual Process of Design

Michael Renner

> more

Iranian Contemporary Design

Less is More; A glance at Saed Mashki's Works

Farshid Mesghali

> more

Project

The Collective Design for Azad Art Gallery

Aria Kasaei

> more

Design Today-1

Antoine and Manuel: Decoration and Beauty

Vanina Pinter

> more

Design Today- 2

Every day a drawing; A review on Paula Troxler's works

Kambiz Shafei

> more

Face to Face-2

Paula Scher, Painting Maps; An interview by Majid Abbasi;

Majid Abbasi

> more

Reference

My Mentor: Brad Holland

Steven Heller

> more

Different

Ordigami, or How I learnt to fold information!

Pouya Ahmadi

> more